Taylor Swift's unexpected folklore explores a different vibe with an assist from Aaron Dessner of the National, the Psychedelic Furs return with their sights set on a big, modern sound, and William Tyler's rustic, expansive soundtrack to First Cow avoids Americana cliches.
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Following a brush with death, the Texas-born musician goes big with an album that aims to join the cinematic country records of the '60s.
Interview
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The healing power of music has been at the forefront of musician and actor Creed Bratton's mind. On his new album, Slightly Altered, he delivers a new set of originals along with a fresh take on a song by his old band, the Grass Roots.
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From strange encounters with Lou Reed and Patti Smith to touring with the Ramones in 1977 to finding the love of his life in bandmate Tina Weymouth, Frantz packs a lot into his new book, Remain in Love. He also gives a crucial omelet recipe.
Our editors gave particularly strong notices to several albums released in June, including Ambrose Akinmusire's thoughtful exploration of jazz and blues as expressions of the Black experience, Khruangbin's integration of vocals into their unclassifiable but easily enjoyable sound, and Phoebe Bridgers' ominous sophomore outing.
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The left-field house producer focuses on identity with his first full-length since moving out to the English countryside.
- Paul Simpson
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Electronic
Conceptualized through graphic scores and drawings, Ryan Lee West's sixth album matches intuition with precision.
- Paul Simpson
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Interviews
Charley Crockett Talks ‘Welcome to Hard Times,’ the Album No One Else Would Make
Interviews
Creed Bratton Wants to Heal You
Interviews
How the Bacon Brothers Hit Their Stride by Learning to Write for Themselves
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Break Out
November 6, 1983
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Amid the occasional waves of 80s nostalgia, it's easy to overlook the sheer ubiquity of the Pointer Sisters' 1983 classic, Break Out. Already a veteran group with nine albums behind them, the sisters' tenth LP made good on its title and delivered them with gusto to the MTV age with a bevy of joyful and exuberant dance hits like "I'm So Excited," "Automatic," and "Neutron Dance."
- Timothy Monger
Robert Palmer
Riptide
November, 1985
Adult Contemporary
Coming on the heels of the success of the Power Station's self-titled debut, the singer's eighth long-player employed the talents of Power Station's Andy Taylor, Tony Thompson, and Bernard Edwards, the latter of whom produced both albums. The results channel his soul-steeped vocals into a set of hooky, rock-leaning songs that seem tailored to be chart hits. Hit the charts they did; the album became Palmer's biggest commercial success, reaching the U.K. Top Five and the Top Ten in the States behind MTV classics like "Addicted to Love" and his cover of Cherrelle's "I Didn't Mean to Turn You On."
- Marcy Donelson
More Staff Picks
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Chris Frantz of Talking Heads and Tom Tom Club Shares Tales From His (Mostly) Upbeat Memoir
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Teddy Thompson Lives in the Moment on ‘Heartbreaker Please’